Why the Thanksgiving TV episode is the very best kind of holiday special

There comes a time in the life of every major TV show when writers must give thanks for their show’s longevity and write a Thanksgiving episode.

The Thanksgiving TV episode is a distinctly American TV tradition for a distinctly American holiday. It’s not to be confused with a holiday special like “A Charlie Brown Thanksgiving.” We’re talking about your favorite TV characters sitting down (we hope) for a delicious turkey dinner together and comedy and/or drama ensuing, as it did most memorably on “Friends.”

Who can forget Monica (Courteney Cox) dancing with a turkey on her head? Who thought turkeys could fly in “WKRP in Cincinnati”? How many bet on the outcome of “Slapsgiving” on “How I Met Your Mother”?

TV series tackle major holidays all the time, from Thanksgiving and Christmas to Halloween and Valentine’s Day. And while many holidays can produce great stories, there’s something about giving thanks that creates the best television. Sorry, Santa.

The genius of the Thanksgiving episode is that the writers are forced to focus on the characters rather than decking the halls or silly costumes. Sure, sometimes there are turkey and parade antics and maybe a round of touch football, but the essence of the holiday – and thus these episodes – is a family of relatives, friends or even co-workers gathering around a table to share a meal. The turkey may burn, but the drama and comedy comes from Denise (Lena Waithe) finally coming out to her mother (Angela Bassett) on “Master of None” or Randall’s (Sterling K. Brown) obsession with tradition on “This Is Us” or Rory (Alexis Bledel) and Lorelai’s (Lauren Graham) self-destructive desire to please their friends and family on “Gilmore Girls.”

Family is an instantly relatable theme: When yours gets together, there probably is some tension, just like with your favorite TV family. That’s the repeated story in the yearly outings of ABC’s “The Goldbergs,” in which Murray (Jeff Garlin) always argues with his brother Marvin (Dan Fogler). It might get old, but when it comes to family problems, the same fight is likely to break out again and again.

Fogler is just one of the many great guest stars who have popped in for a Turkey Day treat. Brad Pitt showed up on “Friends” as a man who hated Rachel (Jennifer Aniston, then his wife). Jamie Lee Curtis and Rob Reiner appeared as Jess’ (Zoey Deschanel) divorced parents on “New Girl.”

As great as they can be, Christmas episodes don’t have the same spark. Sure, you can get great guest stars and heated family dynamics in those episodes, but they’re often weighed down with a schmaltzy tone straight out of a Hallmark movie or “Jingle All the Way”-style gift and decoration antics.

Any conflict is resolved in holiday celebrations (Chrismukkah on “The O.C.”). Christmas magic is maybe real (“Community”). Someone helps the less fortunate (“The West Wing”). Everyone is nicer and sweeter on this one day of the year. Even supernatural shows like “Doctor Who” and “Buffy the Vampire Slayer” fall prey to the cliched “magic of Christmas.” “Who” has a cheery Christmas special every year, and “Buffy” aired an episode in which a Christmas snowfall saves Angel (David Boreanaz) from killing himself.

If you’re in the mood for that bountiful Christmas spirit, dozens of TV movies about happily-ever-afters can be found on an expanding number of outlets (Netflix, BET, Freeform and Lifetime have stepped into Hallmark’s territory), plus specials like “A Charlie Brown Christmas” and “Rudolph the Red-Nosed Reindeer.” Can you name a Thanksgiving TV special other than “Charlie Brown”?

And as fun as it is to see favorite characters in Halloween costumes, dating on Valentine’s Day or toasting at midnight on New Year’s Eve, all those holidays are slighter than Thanksgiving, and so are the episodes that accompany them.

Here’s the thing about Thanksgiving: Regardless of your religion or race, all Americans celebrate it, and there are a million ways to do so. So we get strippers and ecstasy on “The Sopranos,” or a pumpkin fight on “Modern Family” or the precinct getting stuck in lockdown on “Brooklyn Nine-Nine.”

There’s more TV than ever, and thus more Thanksgiving TV than ever. You can break bread with the DiMeos on ABC’s “Speechless” (Friday, 8:30 EST/PST) or toast with the Pearsons on NBC’s “This is Us” (Nov. 20, 9 EST/PST).

Dolly Parton plans a Christmas musical: ‘how many people have their dreams come true?’

The musical’s book is written by David H. Bell with the adaptation is by Bell, Paul T. Couch and Curt Wollan, who also directs the presentation. Tim Hayden is the Musical Director. Based on Charles Dickens’ “A Christmas Carol,” the show will run for only three performances. Parton does not sing in the show.

Parton said the premise came from a Christmas show they presented at Dollywood, her theme park in Pigeon Forge, Tenn. Several years ago, a hologram of Dolly portrayed the Ghost of Christmas Past in an East Tennessee version of the Dickens classic. The singer said the idea to shift “A Christmas Carol” into a Smoky Mountain setting was Couch’s, the former entertainment director at Dollywood. Couch asked Parton to write songs for the new musical and has an eye on making it a holiday touring production.

“I’d already written some songs, and then they gave me some ideas of what else they wanted and then I wrote a bunch of new songs for it,” Parton explained. “It’s in the depression and Scrooge owns all the coal mines and all the poor people are having such a hard time. I wrote all the songs based on those feelings, and they all have a country mountain flavor.”

Some of Parton’s favorite songs from the musical include “Appalachian Snow Fall,” which she said has bluegrass harmonies and mountain sounds, and “Wish Book.”

“It’s about how we always dreamed about looking at all the stuff in the magazines that we wanted as kids,” she said. “I just kind of put myself in the position of these characters that I was writing about and thinking about how I would feel if I was in that position. And, I kind of have been in my childhood so it wasn’t a big stretch writing about poor people.”

This weekend’s premiere of “Dolly Parton’s Smoky Mountain Christmas Carol” will be presented concert-style with no staging or costumes.

“We’re just to see how people take to it,” Parton said. “If people really like it, we’ll do a whole big number and through the years, maybe it will travel around at Christmas.”

‘The Grinch’ sneers at American cities from billboards: His most withering cutdowns

The Grinch is no longer just nasty to the residents of Whoville. He’s sneering big-time at American cities.

The national promotional campaign for “The Grinch” (now in theaters) features the snarky Dr. Seuss creature dropping his withering wrath from billboards, subway platforms, on buildings and buses.

Broadway patrons in New York City lining up for theaters tickets can see his looming green presence mocking their efforts with the line, “Good luck getting those Hamilton tickets.”

In Los Angeles, aspiring stars run into the giant Grinch mocking, “Of course you’ll make it as an actor.”

“That actor one in LA is pretty cruel,” says a chuckling Benedict Cumberbatch, who voices the Christmas-loathing creature in the new movie. “There’s another one on the 405 freeway saying, ‘I could watch you sitting in traffic all day long.’ The guy is rolling. The Grinch is an ever-giving gift.”

Chicago, San Francisco and other cities are not exempt from his wrath.

“People in Chicago are sending me photos of a sign with the Grinch saying, ‘I’ve seen windier cities,'” says Scott Mosier, who directed the animated film with Yarrow Cheney. “It’s been a pretty great campaign.”